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XBureau Brunner is a Swiss design studio based in Zurich.
We aim to initiate a flourishing culture by creating products through in-depth research while simultaneously engaging form and technology,
Recent projects include work for Vitra, Muuto, Olympia Express and an officespace for D&C in New York. Our work has been published and exhibited internationally including Design Miami and the VitraHaus.
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The Zurich Studio is led by Tobias Brunner.
Tobias Brunner born in 1990 in Zurich, Switzerland graduated with a bachelor in product designer from ECAL in Lausanne, Switzerland. After working and teaching in New York, Los Angeles, Paris and Hong Kong; in 2017 he established his industrial design practice, Bureau Brunner. He is a visiting professor at the Hong Kong Design Institute and the Zurich University of the Arts (ZHDK).
Contact:
Contact@bureaubrunner.com
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Bureau Brunner Industrial Design GmbH
Militärstrasse 90
CH-8004 ZĂĽrich
Management:
Tobias Brunner (CDO), Martin Brunner (CTO)
Staff:
Rachel Gaye, Creative production
Annina Brunner, Adminstration
Previous Staff:
Paula Caviezel
Flavia Brändle
Florian Brunner
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For press and work inquiries please contact:
Contact@bureaubrunner.com
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Bureau Brunner Industrial Design GmbH
Militärstrasse 90
CH-8004 ZĂĽrich
Management: Tobias Brunner (CDO), Martin Brunner (CTO)
Bureau Brunner is a Swiss design studio based in the heart of Europe: Zurich
We aim at creating products trough in-depts research to engage form and technology.
Products that asks to be used rather than observed.
‍
The Studio in Zurich is led by Tobias Brunner.
After studying Industrial Design at ECAL in Lausanne and working and teaching for
several years in New York, LA and Hong Kong, he co-founded the family design office Bureau Brunner. Our field of work ranges from small everyday objects to architectural projects.
Bureau Brunner has been developing limited editions under the label ÉDITION-B label since 2020.
Contact
Contact@bureaubrunner.com
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Bureau Brunner Industrial Design GmbH
CH-8049 ZĂĽrich
Management
‍Tobias Brunner (CDO), Martin Brunner (CTO)
The Open Office is an internal Research Project I conducted for Vitra, looking at the change of the office today and what it could become in the future. I set out to answer pending questions with the central question being: do we indeed need a physical office when working together side by side is not absolutely mandatory?
The Open Office is an internal Research Project I conducted for Vitra, looking at the change of the office today and what it could become in the future. I set out to answer pending questions with the central question being: do we indeed need a physical office when working together side by side is not absolutely mandatory?
The Open Office is an internal Research Project I conducted for Vitra, looking at the change of the office today and what it could become in the future. I set out to answer pending questions with the central question being: do we indeed need a physical office when working together side by side is not absolutely mandatory?
The Open Office is an internal Research Project I conducted for Vitra, looking at the change of the office today and what it could become in the future. I set out to answer pending questions with the central question being: do we indeed need a physical office when working together side by side is not absolutely mandatory?
In 2017 I received an ECAL partnered scholarship and was invited by the Hong Kong Design Institute for a teaching fellowship. Having been surrounded by an abundance of textile/electronic/metal/ markets lead the way for an inspirational environment to discover and especially to teach. Making use of one such market (a light market )I came across an idea of challenging the students not only to design a light around a specific bulb but to design the light source itself. As a way to motivate and quite honestly merely communicate with the students I decided to design my own light simultaneously as a tangible example they could relate back to even when words failed. Posters by Alan Wong
In 2017 I received an ECAL partnered scholarship and was invited by the Hong Kong Design Institute for a teaching fellowship. Having been surrounded by an abundance of textile/electronic/metal/ markets lead the way for an inspirational environment to discover and especially to teach. Making use of one such market (a light market )I came across an idea of challenging the students not only to design a light around a specific bulb but to design the light source itself. As a way to motivate and quite honestly merely communicate with the students I decided to design my own light simultaneously as a tangible example they could relate back to even when words failed. Posters by Alan Wong
In 2017 I received an ECAL partnered scholarship and was invited by the Hong Kong Design Institute for a teaching fellowship. Having been surrounded by an abundance of textile/electronic/metal/ markets lead the way for an inspirational environment to discover and especially to teach. Making use of one such market (a light market )I came across an idea of challenging the students not only to design a light around a specific bulb but to design the light source itself. As a way to motivate and quite honestly merely communicate with the students I decided to design my own light simultaneously as a tangible example they could relate back to even when words failed. Posters by Alan Wong
In 2017 I received an ECAL partnered scholarship and was invited by the Hong Kong Design Institute for a teaching fellowship. Having been surrounded by an abundance of textile/electronic/metal/ markets lead the way for an inspirational environment to discover and especially to teach. Making use of one such market (a light market )I came across an idea of challenging the students not only to design a light around a specific bulb but to design the light source itself. As a way to motivate and quite honestly merely communicate with the students I decided to design my own light simultaneously as a tangible example they could relate back to even when words failed. Posters by Alan Wong
Is it possible to design an object that is open to individual interpretation of use? 5KG is an experiment: Participatory design by making the user an actant in the design process. Inspired by Richards Sennett Theory of the open city I was curious if a design could define qualities instead of functions and use and therefore include the user as an active part of the design process. The project of 5KG is intended to be a case study if it is possible to include the user decide on function leaves to a wider range and a begin with a learning dialog with the user between the designer and the user.
Is it possible to design an object that is open to individual interpretation of use? 5KG is an experiment: Participatory design by making the user an actant in the design process. Inspired by Richards Sennett Theory of the open city I was curious if a design could define qualities instead of functions and use and therefore include the user as an active part of the design process. The project of 5KG is intended to be a case study if it is possible to include the user decide on function leaves to a wider range and a begin with a learning dialog with the user between the designer and the user.
Is it possible to design an object that is open to individual interpretation of use? 5KG is an experiment: Participatory design by making the user an actant in the design process. Inspired by Richards Sennett Theory of the open city I was curious if a design could define qualities instead of functions and use and therefore include the user as an active part of the design process. The project of 5KG is intended to be a case study if it is possible to include the user decide on function leaves to a wider range and a begin with a learning dialog with the user between the designer and the user.
Is it possible to design an object that is open to individual interpretation of use? 5KG is an experiment: Participatory design by making the user an actant in the design process. Inspired by Richards Sennett Theory of the open city I was curious if a design could define qualities instead of functions and use and therefore include the user as an active part of the design process. The project of 5KG is intended to be a case study if it is possible to include the user decide on function leaves to a wider range and a begin with a learning dialog with the user between the designer and the user.
A modular office table system that allows fast adaptation of team with freelancers in an open space office like Doubleday and Cartwright Brooklyn offices.
A modular office table system that allows fast adaptation of team with freelancers in an open space office like Doubleday and Cartwright Brooklyn offices.
A modular office table system that allows fast adaptation of team with freelancers in an open space office like Doubleday and Cartwright Brooklyn offices.
A modular office table system that allows fast adaptation of team with freelancers in an open space office like Doubleday and Cartwright Brooklyn offices.
View of the Hong Kong Basic Exposition. A Showase of domestic objects designed by local plastic factories for daily life in the city. Realized during a 6 months research project in Hong Kong supported by ECAL and Hong Kong Design Institute.
View of the Hong Kong Basic Exposition. A Showase of domestic objects designed by local plastic factories for daily life in the city. Realized during a 6 months research project in Hong Kong supported by ECAL and Hong Kong Design Institute.
View of the Hong Kong Basic Exposition. A Showase of domestic objects designed by local plastic factories for daily life in the city. Realized during a 6 months research project in Hong Kong supported by ECAL and Hong Kong Design Institute.
View of the Hong Kong Basic Exposition. A Showase of domestic objects designed by local plastic factories for daily life in the city. Realized during a 6 months research project in Hong Kong supported by ECAL and Hong Kong Design Institute.